This text file should have a header row (although the name is irrelevant), and all the words in a single column. This script takes a list of words in a text file as input. Pull out words found in text file from one tier and put on additional tier Each sound file and its corresponding TextGrid should have the same name. You can specify up to one interval tier and one point tier. This script logs the starting point, end point, and duration of labeled intervals in a specified interval tier and/or the timepoint of labeled points in a specified point tier for all files in a folder. Get duration and timepoints for all labeled intervals or points on specified tiers for all files in a folder Each sound file and its corresponding TextGrid should have the same name. It processes all labeled intervals for all sound files in a folder, and outputs a text file. This script extracts measurements for F1, F2, F3, and F4 at 7 equidistant times points (25%, 37.5%, 50%, 62.5%, 75%, 87.5%, and 100%) in all labeled intervals. Get F1 to F4 at 7 times points for all labeled intervals We have used this script to add silence to stimuli we were presenting in Qualtrics, since this software sometimes clips the end of sound files. The resulting sound files are saved with their original names to a folder specified by the user. This script adds a specified amount of silence to the end of every sound file in a folder. The resulting sound files are saved with their original names to a folder specified by the user.Īdd silence to the end of all sound files in a folder This script adds a specified amount of silence to the beginning of every sound file in a folder. This script moves the right boundary of labeled intervals to the right (later in the sound file) by a specified duration in milliseconds and moves the final left and right boundaries to the closest zero crossings.Īdd silence to the beginning of all sound files in a folder Move right boundary of labeled intervals to the right and zero cross final boundaries This is helpful when, like me, you use the script that moves the left boundaries to the left and then realize you forgot to label certain stimuli, so you want to undo it. This script moves the left boundary of labeled intervals to the right (later in the sound file) by a specified duration in milliseconds and moves the final left and right boundaries to the closest zero crossings. Move left boundary of labeled intervals to the right and zero cross final boundaries This is useful in creating a precise duration before the beginning of a sound when cutting stimuli. This script moves the left boundary of labeled intervals to the left (earlier in the sound file) by a specified duration in milliseconds and moves the final left and right boundaries to the closest zero crossings. Move left boundary of labeled intervals to the left and zero cross final boundaries For example, we have used this script to create stimuli for an auditory word familiarity task. This can be helpful if you want all of your stimuli to be played twice during a trial. An optional prefix for concatenated files and the pause duration in seconds are specified by the user. This script reads in all files in a folder and concatenates each one with itself with a pause in between. Make pairs of identical sounds with pause This is useful for creating stimuli for AX experiments, particularly for jsPsych. Pause duration is specified in seconds by the user. ![]() Make sure to include a header for each column, since Praat reads in the first row of a table as the header. wav) specified in order in the first two columns, with the name given to the concatenated sound file in the third column. Each sound pair should have the two sound file names (minus. ![]() This script concatenates pairs of sound files with a pause between according to rows of file names in a tab-separated text file. This is useful for creating stimuli for ABX or oddity experiments, particularly for jsPsych. wav) specified in order in the first three columns, with the name given to the concatenated sound file in the fourth column. Each sound triad should have the three sound file names (minus. This script concatenates groups of three sound files with pauses according to rows of file names in a tab-separated text file. In addition, here are some Praat scripts that I've written or modified: Although I made them to accompany a live presentation, the explanations on the slides and the sample scripts may still be useful for you. Click here for the materials from a Praat scripting tutorial I did for the IU Second Language Psycholinguistics Lab in 2019.
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![]() ![]() That, along with the larger field of view, gives players a deeper sense of immersion. Foveated rendering and increased field of view: Moss and Moss: Book II run at 90fps in 4K (2000×2040 per eye), even with the lighting and texture improvements.The haptic feedback from PS VR2 Sense controllers and headset vibration gives the player a greater sense of presence and danger in the game, allowing them to feel even more attached to Quill, the game’s brave young hero who players partner with during the adventure. Improved haptics: Players can now feel the effects of world-shaking events, damaging attacks, and movement throughout the world.Here are a few ways we leveraged PS VR2 hardware to enhance players’ overall first-person immersion within the Moss franchise: And as we’ve said before when bringing our games to new platforms, we don’t just want to get them up and running on PS VR2 and call it a day, we spend our time on all aspects of the game, across graphics and gameplay, with the end goal being a truly unique and memorable experience. Luckily, the platform’s two-controller setup, enhanced haptic feedback, visual improvements, and eye-tracking capabilities minimized the constraints previous hardware put on our team. Now, once we got our hands on PS VR2 hardware, we experimented and discovered new ways to draw players deeper into the world of Moss as they take on the first-person role of the Reader, the key ally of the hero Quill. This was expected, as we continued to learn and leverage evolving technology throughout development to help us optimize the game players would later experience. And while the story continues in the same world, the look and feel and the overall experience in Moss: Book II is dramatically enhanced from its predecessor. Similar to when Moss released on PS VR in 2018, Moss: Book II was greeted with positive reception, quickly ascending the ranks to sit alongside Moss as one of the all-time top-rated VR games. We have a lot to share with you about the enhanced versions of the games, but I’ll keep the lore details to ourselves to not spoil it for anyone. Today, we’re excited to share that both Moss and Moss: Book II represent two premier launch day titles for PlayStation VR2 upon its release in February 2023. The award-winning sequel-VR Awards “VR Game of the Year” winner and The Game Awards “Best VR/AR Game” nominee-adds to the fan favorite franchise by picking up right where the story of Moss left off nearly four years ago. Earlier this year, we welcomed players back to the world of Moss with the release of Moss: Book II. ![]() The tech companies who created 996 culture tend to be based in big cities, and their work practices have influenced other sectors. In China, a national survey in 2018 showed that 60% of people born after 1990 were not getting enough sleep, and that those living in the biggest cities suffered the most. People cited various reasons for this shortfall, including stress and their sleeping environment, but 37% blamed their hectic work or school schedule. ![]() The 2019 Phillips Global Sleep Survey, which received more than 11,000 responses from 12 countries, showed that 62% of adults worldwide feel they don’t get enough sleep, averaging 6.8 hours on a weeknight compared to the recommended amount of eight hours. A few hours of ‘own time’ is necessary to survive.”Įxperts have long warned that insufficient sleep is an unheeded global public-health epidemic. In a reply ‘liked’ more than 4,500 times, Twitter user Kenneth Kwok tweeted: “Typical 8 to 8 in office, arrive home after dinner and shower it’s 10 p.m., probably won’t just go to sleep and repeat the same routine. She described the phenomenon as when “people who don’t have much control over their daytime life refuse to sleep early in order to regain some sense of freedom during late-night hours”. ![]() The phrase, which could also be translated as ‘retaliatory staying up late’, spread rapidly on Twitter in June after a post by journalist Daphne K Lee. Rao was doing what the Chinese have called ‘bàofùxìng áoyè’ – or ‘revenge bedtime procrastination’. Often, Rao would stay up surfing the internet, reading the news and watching online videos until well after midnight. “I was deprived of all my personal life.” After her shift, which sometimes included overtime, she had a small window to eat, shower and go to bed – but she sacrificed sleep to eke out some personal time. Rao, who is originally from Nanjing, moved to financial hub Shanghai about five years ago to work for a multinational pharmaceutical company. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research.Emma Rao spent almost three years on China’s notorious ‘ 996 schedule’: working from nine in the morning to nine in the evening, six days a week. We benefited from discussion with Domenico De Palo, David Dickinson, Daniel Hamermesh, Ben Handel, David Huffman, Gautam Rao, Silvia Saccardo, Frank Schilbach, Sally Sadoff, Heather Schofield, Jeffrey Shrader, Justin Sydnor, Severine Toussaert, and Lise Vesterlund. We thank participants to seminars at the University of Pittsburgh, University of Rome 2 Tor Vergata, University of Milano Statale, Maastricht University, the Nuffield Centre for Experimental Social Sciences, the Pittsburgh Experimental Economics Lab, the Circadian Rhythms and Sleep Conference Grands, the Advances in Field Experiments Conference, the Workshop on Risky Health Behaviors, the American- European Health Study Group, the IV Workshop on Behavioral and Experimental Health Economics, the Center for Health Incentives and Behavioral Economics (CHIBE) Roybal Retreat, and the Maastricht Behavioral and Experimental Economics Symposium. Transportation Economics in the 21st Century.Training Program in Aging and Health Economics.The Roybal Center for Behavior Change in Health.Retirement and Disability Research Center.Measuring the Clinical and Economic Outcomes Associated with Delivery Systems.Improving Health Outcomes for an Aging Population.Early Indicators of Later Work Levels, Disease and Death.Conference on Research in Income and Wealth.Boosting Grant Applications from Faculty at MSIs.Productivity, Innovation, and Entrepreneurship. ![]() International Finance and Macroeconomics. ![]() Smaller-scale auteur masterworks by and and well-crafted id Software ghost-echoes by and show that SIGIL’s pure craft is a cut or two below what would win it a Cacoward this season, even with throwback appeal in mind. One needn’t bring up the Sunlusts or Counterattacks of the world to cast SIGIL’s faults in relief. The well of knowledge about how to paint a gorgeous scene, or how to wire up combat that pleases spoiled players, has been filled and deepened and refilled many times over. Ince 1994, Doom mapping has grown into a specialty craft. I should mention here that fan-made level design and campaign design has become so competitive that even Sigil – made by original Doom designer John Romero – only placed in the Runner’s Up spotlight of the 2019 Cacowards (Doom fan equivalents of the Oscars/Emmmys). Far, far more content has been released by fans, much of it of far higher quality than one would expect from third party levels and campaigns. The stylized abstraction of the game makes it feel like a strange, nightmarish vision you are hallucinating, which gets progressively more terrifying as the early infested techbase levels transition into hell itself.īut that is just the base game, its immediate sequels ( Doom II, Final Doom, Master Levels), and the add-on episodes officially/semi-officially released ( Thy Flesh Consumed, No Rest For the Living, Sigil). At the higher difficulty levels (Ultraviolence is really the best way to play), your only hope of survival is raw speed and cunning. You fight diverse hordes of slow-moving enemies (compared to you at least!) that are individually weak but collectively quite dangerous. You move incredibly fast (50 scale miles per hour!) through non-linear explorable levels that are designed to optimize play rather than look realistic. You experience the game as 3D, but the game’s level design and movement patterns are more or less reflective of 2D arcade shooters like Robotron, Geometry Wars, Commando, or Smash TV. ![]() Doom’s “2.5D” graphics, though primitive by modern standards, help it pull off things that are far more difficult to do with today’s software tooling. I especially see no reason to fork over 175 GB of storage space(!) for the new Modern Warfare title.Īll of this only gets in the way of what many gamers want when they play FPS games. These can be fun, addicting, and sometimes sublime, but on the whole you are really not getting much for your time and money. Pseudo-realism is also linear levels with mostly scripted events, “ripped from the headlines” storylines with Hollywood actors, and formulaic gameplay that mostly serves to justify exorbitant GPU prices for incremental graphical optimizations. Well, pseudo-realism anyway – you really don’t want the “real” in gaming. Why would you want that? Realism is moving at human speed, experiencing fatigue, reloading and hiding behind cover, and guns that recoil when you fire them. There is no pretense of making a “realistic” tactical FPS experience. Doom is the closest thing you will be to a pure instrument of destruction whose sole function is to search and destroy. But I do have some comments to offer on top of it. I cannot add much to this classic JP LeBreton essay about Doom, so I recommend you read it in full. Why would I want to play Doom in 2020? What is so great about Doom that still is relevant 27 years after it was first released? Isn’t it just a museum piece? In this post, I will tell you – at least from my parochial perspective – why Doom is a compelling and even dominant experience 20+ years after its initial release, how the actual experience of playing Doom can vary immensely depending on your preference, and how to play Doom on your computer (though in theory you could play Doom using a piano or a toaster if you wanted). And this post is about how you can make the most out of it today – as a modern FPS gamer with no patience for floppy disks and MS-DOS. But – don’t laugh – the best first person shooter you can play this year is already out and has been out for over 20 years. What’s the best shooter to play in 2020? Where can gamers find the coolest weapons, the hardest enemies, and the most thrilling challenges? There’s a lot of cool games on the horizon such as Cyberpunk 2077, Doom Eternal, Halo: Infinite, and Rainbow Six Quarantine. ![]() ![]() This new build is still in the early stages, but the setup is much less complicated than earlier attempts. There were a few beta builds back in 2019, but that version required an authentication token extracted from earlier versions of Plexamp and an old (now insecure) version of Node. Media Server Downloads Plex Media Server for Windows, Mac, Linux, FreeBSD and More Downloads Fetching latest downloads. This isn't the first time Plex has experimented with a remotely-accessible version of Plexamp for the Raspberry Pi. There's even support for the PiFi Digi+ board, which attaches to the top of a Raspberry Pi and adds an enhanced audio chip and optical output. Plus it offers a more expansive list of stations, supports offline listening and improves its. You can also install the Plexamp server as a system service that starts at boot, for a more Chromecast Audio-like experience. Plexamp 3.0 also introduces a feature that lets you build your own mixes by picking a set of artists. Once it's downloaded to a Pi and opened, you can play music through a web interface on any web browser on the same local network, or choose the Pi as an output in the Plexamp app on other devices. Get-WindowsCapability -Online | ? Name -like 'OpenSSH*'Īdd-WindowsCapability -Online -Name OpenSSH.Client~~~~0.0.1.Related: How to Set Up Plex (and Watch Your Movies on Any Device)Įlan Feingold, CTO and Co-Founder at Plex, shared an early build of a Plexamp server for the Raspberry Pi on Tuesday. To make sure that the OpenSSH features are available for install type the command: To install OpenSSH using PowerShell, first launch PowerShell as an Administrator. 12 commits Failed to load latest commit information.gitignore LICENSE Makefile README.md run.sh README.md I love Plexamp, but the official AppImage is really really hard to get to work on many Linux distributions. This means many of these routers can be re-flashed by an open embedded Linux distribution called OpenWrt which opens up the router hardware to a sky of. ![]() Once the installation completes, return to Apps > Apps and Features > Manage Optional Features and you should see the OpenSSH component(s) listed. If not, at the top of the page select Add a feature, then, to install the OpenSSH client, locate OpenSSH Client and click Install Scan this list to see if OpenSSH client is already installed. What follows are five more software possibilities for personal/private streaming service generation: Prism A versatile music app for Plex & Apple Music. Now simply install the Plex app on any of your devices and start enjoying your. Show keys for: Win/Linux macOS All (Side-by-side) Spotify Technology S. Find a wifi network, offline and go And yet PLEX/Plexamp isn’t the only way to stream losslessly from a home computer’s hard-drive to a smartphone. Or, open up the Linux file manager and double-click on the PlexAmp. To install OpenSSH, start Settings then go to Apps > Apps and Features > Manage Optional Features. Install media now available at /Volumes/Install macOS Catalina Now your. Loudness leveling, true gapless playback, Sweet Fades, soft transitions, a configurable preamp, a 7-band EQ, and more. SUPER AUDIO PLAYER: Loudness leveling, true gapless playback, Sweet Fades, soft transitions, a configurable preamp, a 7-band EQ, and more. OpenSSH client is an installable feature of Windows 10. Plexamp is a beautiful, dedicated Plex music player with tons of goodies for audiophile purists, music curators, and music fans of all ages looking for their next aural fix. Plexamp is a beautiful, dedicated Plex music player with tons of goodies for audiophile purists, music curators, and music fans of all ages looking for their next aural fix. Some versions of Windows 10 include an SSH client already, but if yours does not or you're unsure, follow these steps to install one. Raspberry Pi Imager is the quick and easy way to install Raspberry Pi OS and other operating systems to a microSD card, ready to use with your Raspberry Pi. Install Raspberry Pi OS using Raspberry Pi Imager. Can anyone detail it out and explain I'm running Kubuntu 18.04 with KDE. Currently installs/upgrades to: NodeJS v16 and Plexamp-Linux-headless-'see version in git comment'. So, I'm sure it's something simple, but I couldn't find anything except a super old post for an older version. The 'Secure Shell' protocol provides access to your Ubuntu Appliance and uses cryptographic keys to authenticate you to the device. How do you run/install Plexamp on linux There isn't even a file type, and I'm still learning linux. ![]() The recommended graphics cards for Premiere Pro all come from Nvidia. These are wonderful for professional users who want the best performance possible. At the high end are the Intel core i9 and Ryzen 9 chips (or the Threadripper chips from AMD). These are great for those working with a bit higher-end codecs, effects, layers, and larger resolution sizes. Somewhere in the middle are the Intel core i7 and the Ryzen 7 chips. If you’re editing low-quality codecs with minimal to no effects, these two chips are the way to go. On the lower end, you have the Ryzen 3600 and Intel core i5 chipset that will do the bare minimum of what you’ll need for editing. Truthfully though, you can’t go wrong between either brand. Intel vs Ryzen chips have been something of a heated debate for a while now. On the high end is the M1 Ultra chip which will fly through any type of encoding.įor Windows, things become a little bit trickier. The cheapest option you can get is the M1 CPU which Premiere Pro runs great on. Newer Macs use Apple’s proprietary chipset. Mac users don’t have much of a say in this decision (which can be either a good or bad thing depending on who you ask). There are so many CPU options on the market that it can sometimes be hard to decide which one to go with. To check computer specs on Mac, you’ll want to click on the apple icon in the upper left-hand corner. 1920 x 1080 display (Display HDR 400 for HDR workflows).4 GB of GPU for HD workflows and 6 GB of unified memory for 4k and higher resolution workflows.An Intel 7thGen or newer CPU with Quick Sync - or an AMD Ryzen 3000 series / Threadripper 2000 or newer CPU.The recommended system requirements for Windows, however, are: 8 GB of hard disk space for installation.Microsoft Windows 10 (64-bit) version 1909 or later.An Intel 6thGen or newer CPU - or an AMD Ryzen 1000 series or newer CPU.The minimum specifications for Windows devices are: 1920 x 1080 monitor resolution or higher (Display HDR 400 for HDR workflows)įor Windows, the specifications are a little bit broader.A fast SSD for storage, app installation, and cache.16 GB of unified memory on Apple Silicon GPUs, 4 GB of GPU for HD workflows on Intel GPUs, and 6 GB of unified memory for 4k and higher resolution workflows. ![]() 16 GB of Ram for HD media and 32 GB of Ram for 4k media.An Intel 7thGen or newer CPU or an Apple Silicon M1 or newer.The recommended system requirements for macOS, however, are: 8 GB of hard disk space for installation (though you’ll need much more than that to actually edit videos on your system).8 GB of unified memory on Apple Silicon GPUs or 2 GB of unified memory on Intel GPUs.For macOS, the minimum system requirements users need is: MacĪdobe breaks this up between “minimum system requirements” and “recommended system requirements”. Picking the right graphics card, CPU, and RAM drastically changes how Premiere Pro runs. While Simon Says may not take a lot of processing power, a lot of other elements in Adobe Premiere Pro do.Īdobe Premiere Pro system requirements vary from operating system to operating system as well. With 100 different language options and an intuitive text-based video editor, Simon Says is a great way to help you save valuable time on your projects. Simon Says is a wonderful, native transcription tool that makes captioning in Adobe Premiere Pro a breeze. A great plugin that will work on nearly all systems is Simon Says. ![]() The great thing about Premiere is how many amazing plugins there are for the software, regardless of system specifications.Įditing is already such a time-consuming process, and plugins can help alleviate some of it. Editing incredibly basic content for platforms like social media doesn’t require a whole lot. Luckily, it doesn’t take a supercomputer to run Adobe Premiere Pro. The question is: which hardware is best for you and which hardware is optimal for Adobe Premiere Pro? Minimum system requirements to run Premiere Pro There are a plethora of CPU and GPU options out there and a few different operating systems as well. As a video editor, it can sometimes be a challenge to decide on what hardware to choose. ![]() While Premiere Pro is an incredibly powerful tool, the software can only be as good as the hardware it’s running on. It’s no wonder that Premiere Pro has been around for over twenty years now. Adobe Premiere Pro CC is one of the best video editing programs in the business and a staple for filmmakers, businesses, and other types of content creators. ![]() ^ "How Author Tahereh Mafi Made Her Family-Friendly Kitchen Her Own".^ "The Future of Books Is Experimental: At Home with Tahereh Mafi and Ransom Riggs".This dystopian series set in a futuristic Chicago has captured the hearts of millions of teen and adult readers. ![]() "Ransom Riggs and Tahereh Mafi's home for bestselling authors". This first book in Veronica Roth’s 1 New York Times bestselling Divergent series of books is the novel the inspired the major motion picture starring Shailene Woodley, Theo James, and Kate Winslet. ^ "National Book Awards 2018 – National Book Foundation".^ " 'Shatter Me' author Tahereh Mafi previews next project, 'Furthermore' ".^ "Welcome to Tahereh Mafi's dystopia in the 'Shatter Me' series".^ "Not Just for Kids: Author Tahereh Mafi discusses 'Shatter Me' ".^ a b c Minzesheimer, Bob (17 November 2011).Find Me (2019) (Compilation of Shadow Me and Reveal Me).Unite Me (2014) (Compilation of Destroy Me and Fracture Me).In March 2017, Mafi announced via Twitter that she was pregnant. Mafi currently resides in Irvine, California, where she continues to write. It was longlisted for the 2018 National Book Award for Young People's Literature. Mafi's next book, A Very Large Expanse of Sea, was released on October 16, 2018. Restore Me was published on March 6, 2018. The first installment, Restore Me, is told from a dual-POV from Juliette Ferrars and Warner, the protagonist and antagonist, respectively, in the original trilogy. In April 2017, Mafi announced another trilogy in the Shatter Me universe following the same cast of characters. In August 2016 Mafi released Furthermore, a middle-grade fiction novel about a pale girl living in a world of great color and magic of which she has none. Film rights to Shatter Me have been purchased by 20th Century Fox. Mafi has two novellas that go with the Shatter Me series, Destroy Me and Fracture Me. Since then, Unravel Me (published on February 5, 2013) and Ignite Me (published on February 4, 2014) have been released. Shatter Me was published on November 15, 2011. Mafi stated that before writing her first novel, Shatter Me, she wrote five manuscripts in order to better understand how to write a book. During this trip she had the opportunity to be fully immersed in the Spanish language. She studied abroad in Barcelona, Spain for a semester in college. She has varying levels of competency in eight different languages. She later graduated from the Soka University of America in Aliso Viejo, California. Mafi graduated from University High School in Irvine, California. At age 12 she moved with her family to Northern California and at age 14 they moved to Orange County. She is the youngest child of her family and has four older brothers. Mafi was born on November 9, 1988, in a small town in Connecticut. She is known for writing young adult fiction. Tahereh Mafi (November 10, 1988) is an American author based in Santa Monica, California. ![]() With women’s sandals from favourite brands including BIRKENSTOCK, Dr.Martens and Havaianas, the new footwear of your dreams is waiting right here. 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Blue Womens Sandals BornSari Leather Cork Platform Sandals NaturalizerVanessa Crystal Strappy Dress Sandals Josef SeibelTonga 25 Leather Strap Sandals. Whether you’re on the hunt for strappy gladiator ladies’ sandals for daytime adventures, closed-toe flats and leather toe-post sandals for poolside lounging, or chunky, statement soles for a festival-ready vibe, we’ll make sure that you’re serving style and comfort whatever the weather.įrom casual daytime looks to evening showstoppers, our range of sandals for women has a pair to suit any occasion. More Details: These lightweight ladies woven shoes are perfect for summer wear they are fully elasticated to allow for a snug fit on. Light Blue Women Sandals (1 - 60 of 688 results) Price () Shipping All Sellers Light Blue T-Strap Pearls Wedding Flat Sandals, Wedding Sandals, Bridal Sandals, Pearl Flat Sandals, Something Blue (15.6k) 79. ![]() ![]() When the mercury rises and British skies turn from overcast to tropical (well, almost), it’s essential to add summer sandals to the top of your shopping list! With an incredible selection of women’s sandals to choose from at OFFICE, taking your look from lukewarm to scorching hot is easy. At one Guangzhou, China, restaurant, an AC unit slingshotted the virus between diners sitting 15 feet apart. These codes aren’t designed with viruses in mind, and anyway, HVAC systems are rarely monitored to ensure that they’re working as advertised. ![]() Under typical building codes, restaurants have about the same indoor-air standards as other buildings-with more exhaust hoods in the kitchen to handle the smells and fumes. Everyone goes there to talk.” All this nibbling, laughing, and sneezing whips up aerosolized particles of the virus that can linger in the air-turning restaurants into COVID hot spots.įor a while, we’ve known that some straightforward air-quality improvements are plainly the best way to tamp down on some of the risk. Linsey Marr, an environmental engineer at Virginia Tech, laid out the challenges for me: “People cannot be masked,” she said. The paradox of eating out during the pandemic is that everything that makes indoor dining fun is also what makes it risky. But the problem is that many of these lessons are precisely the wrong ones. On the whole, the restaurant business does seem to have learned a few lessons from all these months of pandemic life. Beyond merely struggling to survive, many spots can actually start gearing up for the future and considering what sort of COVID measures and spur-of-the-moment tweaks should stick around for the long haul. At the same moment, blue cities such as New York and Chicago, among the last holdouts for widespread safety restrictions, are even dropping their vaccine requirements to dine out.Īll of this makes the present a pivotal transition moment for restaurants. Chez Panisse, in Berkeley, California, perhaps the country’s most famous fine-dining spot, announced last week that it would finally reopen its dining room after two years of hypercautiousness. At various points in the past two weeks, reservations on OpenTable have outpaced even pre-pandemic levels. By some measures, Americans appear to be more comfortable eating out now than at any other time since March 2020. But the post-Omicron sigh of relief has been a godsend for the country’s beleaguered bars and restaurants. ![]() Yes, the coronavirus is still killing nearly 2,000 people a day, and another variant is more a question of when than if. But really, here’s all you need to do: Go look inside your favorite restaurant. Such as this one, which suggests that 70 percent of the country thinks it’s time to “get on with our lives.” Or this, in which even more people say they’re burned-out by COVID-19. Kim Nguyen of May Cafe was worried about keeping her staff, many of whom have worked for the family-owned restaurant for most of its 27 years.ĭespite the challenges for their businesses, most of the International District restaurant owners were supportive of the public health order’s intent to curb the spread of Coronavirus.If you want a sign that Americans are done with the pandemic, you could rummage around for a poll. Pho Thien An says they made just $68 last Thursday and are considering the possibility of shutting down for a couple months. “There's a lot of to-go orders, but business has definitely slowed down a lot. I'm noticing that people are very cautious or they're standing further apart,” she said. ![]() You know, making sure there's a good distance. Uyen Nguyen, who owns Coda Bakery down the street, had taken additional steps like color coding tongs for those handling money, and using spray bottles and paper towels instead of a bucket and washcloth to wipe down surfaces. That includes Kim Nguyen, owner of May Cafe in Albuquerque’s International District, who’d marked every-other-table with a white lace tablecloth, signaling they were 6 feet apart and ok to sit at. Restaurant owners who were aware of the new public health order had heard about it on the local news Sunday night and had quickly implemented the changes first thing Monday. KUNM Tablecloths marking available tables at the ordered distance apart at Albuquerque's May Cafe The Niña - Most Historically Accurate Columbus Replica Ship Ever Built The most historically accurate replica of a Columbus Ship ever built, and our newer Pinta.ĭeck length - 65', Beam - 18', Draft - 7' The ticket allows patrons to explore and tour both ships.Welcome to Sanger Ships LLC and our two Columbus replica ships - our original Niña, Tickets for the tour are $10 for adults, $6 for those under 16. When El Galleon was here, under the waterline was a very modern hull and modern technology. She has diesel engines and electronic equipment for safety. “Our Madeline would not have had equipment or instrumentation to speak of. Wright said incorporation of today’s technology is common on replica ships. “Back then navigation was by charts and stars and lucky guesses. And while the visible parts of the ship are made to replicate the originals, it does make use of modern technology. The Pinta is 15 feet longer and eight feet wider than the original, so it is able to accommodate more people. Wright said the Niña is as exact a replica as can be made. While no exact blueprints of the original ships remain in existence, discoveries of 15th and 16th century Spanish shipwrecks in the Caribbean helped clarify many details during construction of the replicas. A replica of the Santa Maria built to size would require 14 feet of water depth, twice that of the Niña or Pinta it would not be able to travel to and visit many of the places where the other two are welcomed.īoth the Niña and Pinta were built in Brazil, where the Columbus Foundation found shipbuilders using the same tools and means of construction as 1400s-era Spanish shipbuilders would have used in the 1400s. That’s because the original Santa Maria was a Nao, a kind of multi-masted cargo ship that served as a predecessor to the galleon and was larger than the smaller, faster and more easily maneuverable caravels Niña and Pinta. ![]() While the Niña and Pinta will be visiting, the Santa Maria will be absent. “Traverse City has an intelligent and willing population interested in tall ships and history,” said Wright. Wright said the large number of those interested in maritime history in this area is always appealing to organizations such as Tall Ships America and the Columbus Foundation, the British Virgin Islands-based owner of the Niña and Pinta. MHA has been preparing for the ships’ arrival since early this spring. They said, could you entertain this weekend? We had four or five days notice,” said Wright. “She was going to Bay City, Chicago, Green Bay, and had an open weekend. They had less than a week to prepare for El Galleon. One difference: The MHA had several months to plan for the Niña and Pinta. ![]() Because of that success, we were contacted by the Niña and Pinta,” Wright said. Wright said last summer the MHA was contacted about hosting El Galleon, an authentic wooden replica of a Spanish galleon, when that ship was found to have an open weekend on its itinerary. Woody Wright, a longtime member of the Maritime Heritage Association, said the MHA has established a reputation and a link with organizations across the world that have resulted in ships like these seeking out Traverse City as a stop on their tours. From Traverse City, they travel to Muskegon and South Haven, before heading down the Mississippi River. Lawrence Seaway and hitting the Great Lakes, with stops in New York and Ohio. The ships sailed up the East Coast before entering the St. The Traverse City visit is part of the South American-made ships’ ongoing tours of the western hemisphere. The ships will open for tours from 9am to 6pm daily, starting Aug. The Niña and Pinta will dock at Clinch Park’s northwest wall on Aug. It’s been more than 500 years in coming, but two of his ships are making their way to Traverse City. Replicas of Columbus’s ships to dock in Traverse City 1492 Sails into Grand Traverse Bay By Ross Boissoneau | Aug. |
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