She spent her childhood in the Bronx and lived briefly in Canada after her parents’ divorce. According to some sources, Tanya was her nickname. 15, 1955, the second of two daughters of Oscar Maximilian Blum, a fountain pen salesman, and Dorothy Leigh (Smith) Blum. She was born Victoria Leigh Blum in the Bronx on Oct. Roberts appeared on the show for three seasons and later made guest visits. The comic mystery, year after year, was how her short, dumpy husband, played by Don Stark with frighteningly overgrown sideburns, had ever won her heart. In that role she was beautiful, slim and sexy - and delightfully dimwitted. ![]() She returned to the spotlight in 1998 on the sitcom “ That ’70s Show” as the glamorous, youngish Midwestern mom of a teenage girl (Laura Prepon). Roberts’s big acting break came in her mid-20s, when she was cast in the fifth and last season of “Charlie’s Angels,” the ABC drama series that, trading on its stars’ sex appeal, followed the exploits of three attractive former police officers who often fought crime wearing short shorts, low-cut blouses and even bikinis. He said she had not been noticeably ill before she collapsed. He did not give the cause of death, but said it was not related to Covid-19. 24 after walking her dogs near her Hollywood Hills home and was put on a ventilator at the hospital. Her publicist, who was given erroneous information, had announced her death to the news media early Monday, and some news organizations published obituaries about her prematurely. ![]() Her death, at Cedars-Sinai Hospital, was confirmed on Tuesday by her companion, Lance O’Brien. What's interesting is that, as certain films in the Bond series have set specific benchmarks for tone, "A View to a Kill" is James Bond in comic book perfection.Tanya Roberts, the breathy-voiced actress who found fame in the 1980s as a detective on “Charlie’s Angels” and as a brave earth scientist in the James Bond film “A View to a Kill,” died on Monday night in Los Angeles. There's no denying that the stunts are impressive - just as the rear projection for Moore's close-ups somehow achieve a new height of incompetence. Roger Moore breezes through each spectacular moment of devastation with such wry aplomb that it's hardly any wonder that Zorin's attempts to kill him off become so fevered and outlandish. He is also tremendously sporting in observing the obligatory need to keep attempting to kill Bond off without ever seeing the job through properly.Ī near relentless stream of action set-pieces thunder through a string of exotic locations, forming a mould that's been aped quite closely in structure by the more recent, if less satisfying, " The World is not Enough". It's the actor behind this particular world-domination bent lunatic that makes the film so bananas.Ĭhristopher Walken plays the dangerously loopy Max Zorin with a falsetto laugh, dyed blond hair, and camp mannerisms that verge on the psychopathic. The plot features yet another megalomaniac, but is somewhat reasonable in asserting that chaos could be brought to the world if his plan to sweep away Silicon Valley with a giant tidal wave were to succeed. ![]() If anything, it's an entertaining extension of the fun and grand adventure showcased in " For Your Eyes Only". It's not as tediously dull as " Octopussy", nor as ludicrous as " Moonraker". Often derided as a Bond movie too far for Roger Moore, "A View to a Kill" is one of his most enjoyable screen outings as the superspy.
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